The FPP Interview: Margo Jefferson

Renowned critic and nonfiction writer Margo Jefferson will take the FPP Harlem stage at AWP in Boston this Friday, March 8, 2013 with Justin Torres and Keya Mitra.  We talk to her about her about separating the personal from “bigger things” and pursuing another kind of authority.  Come hear her @ 3:00 pm. Room 110, Plaza Level. F229.

What emotional concerns are you pursuing in your current project?  What emotional concerns appear to be pursuing you?  How does a self worth selfdom emerge from family, history, biology? What were, what are its needs, its demands its punishments and rewards? How do selves get revised & remapped?

How have you navigated the challenge of writing a personal history that reveals your own misperceptions about access to privilege?  Make that present tense, i.e. still navigating.  To read the rest of the interview, go here.

Come Check Out FPP at Our AWP Reading in Boston!

We are thrilled to announce our line up for our reading at the Associated Writers and Writing Programs Conference (AWP) in Boston to be held Friday, March 8 @ 3:00 pm. Room 110, Plaza Level, F229. We have an incredible line up in Margo Jefferson,  Keya Mitra, and Justin Torres–with our own Amy Benson leading the discussion about the origins of the series and why we find so much possibility in the first person plural.  Here is a little more information about our readers:

Margo Jefferson is a cultural critic and the author of On Michael Jackson. She was a staff writer for Newsweek and The New York Times and received a Pulitzer Prize in 1995, Her essays have been widely published, and anthologized in The Inevitable: Contemporary Writers Confront Death Best African American Essays, 2010; The Mrs. Dalloway Reader; and The Jazz Cadence of American Culture. She’s also written and performed a theater, “Sixty Minutes in Negroland.” She teaches writing at Columbia University.

Keya Mitra is currently an assistant professor of creative writing and literature at Gonzaga University and graduated in 2010 with a doctorate from the University of Houston’s Creative Writing Program, where she also earned her MFA.  In 2008, she spent a year in India on a Fulbright grant in creative writing.  Her fiction has appeared in The Kenyon Review, Best New American Voices, Ontario Review, Orchid, Event, Fourteen Hills, Torpedo, and Confrontation, and her nonfiction has been published in Gulf Coast and American Literary Review.  Her story received special mention in the Pushcart Prize XXXVII Anthology, and she has been nominated for two Pushcart prizes.  She has completed a short story collection, a novel, and a memoir.

Justin Torres is a graduate of the Iowa Writers’ Workshop and a recent Wallace Stegner Fellow at Stanford. He was the recipient of a Rolón Fellowship in Literature from United States Artists and the VCU Cabell First Novelist Award. His work has appeared in The New Yorker, Harper’s, Granta, Tin House, and Glimmer Train. Among many other things, he has worked as a farmhand, a dog walker, a creative writing teacher, and a bookseller; he is now a fellow at the Radcliffe Institute for Advanced Study at Harvard.

Amy Benson‘s prose has recently appeared in Triquarterly, BOMB Magazine, PANK, Boston Review, The New England Review, Seneca Review, Black Warrior Review, diagram, and Hotel Amerika, among other journals. Her book, The Sparkling-Eyed Boy, was chosen by Ted Conover as the 2003 winner of the Bakeless Prize in Creative Nonfiction from Bread Loaf Writer’s Conference. She teaches creative writing at Columbia University.

 

Read “The End of Sexual Identity” by Stacey D’Erasmo

“We’ve come to the end of sexual identity. Not, that is, in the real world, where sexual identities of all sorts still roam, both free and fettered, privileged and disenfranchised; love is still exciting; sex still matters. Real people still come out, or don’t, and consequences still attach to those choices. In art, however, the sturdy house of the novel of sexual identity, with its secret passageways and walk-in/walk-out closets and tempting garden paths and labyrinths, lies in ruins. We don’t really care who enters or leaves it; we pretty much know what goes on inside; we are not trying to peep through the windows.”  Read the rest of the article here.

Monica Ong’s “Metal Lungs” on Drunken Boat

“This artist book begins with a diagram of the lungs, which open to reveal corresponding images and text. Using anatomy as an entry point, a narrative unfolds about the silent body of the “daughter”, dutiful but devastaed in the context of cultural obedience. The lungs, as the origin of voice and breath, become the landscape of suppressed histories, longing for shift.”

Digital collage and writing on archival paper, plywood. 2011. Look at the rest of book published on Drunken Boat, here.

Man Gone Down is Michael Thomas’s “luminous debut novel”

‘I know things aren’t going well,’’ begins the narrator of Michael Thomas’s debut novel, bracing himself for a downward journey. Broke and bile-infused, Harvard-educated, now jobless and down on his luck in New York, he is estranged from his wife and three children. It is the eve of his 35th birthday, and he has four days to somehow scrape together $12,000 to keep his family afloat.

Read the rest of Lucy Daniel’s review of Michael Thomas’s first book, Man Gone Down, here.

 

Congratulations to FPP Alum Marie Myung-Ok Lee

 

FPP congratulates Marie Myung-OK Lee on the sale to Simon & Schuster of her novel Firstborn Son, the story of a Korean-American OB-GYN/screenwriter on an epic quest.  According to Publishers Lunch, it’s “pitched in the tradition of Middlemarch.”  We were lucky enough to hear an excerpt at the November reading, and we are looking forward to more. Good work, Marie.

Ashley Byler: The FPP Interview

FPP spoke with dancer/choreographer Ashley Byler about high/pop art mash-up, the infantilization of dancers, and K-Pop.

Your choreography is often comedic, employing deadpan, sharp but good-natured personas.  Could you talk about your influences?

I grew up loving Saturday Night Live, Carol Burnett and Michael Jackson. I also loved Dolly Parton, Dustin Hoffman in Tootsie, Hee Haw, Solid Gold, The Mandrell Sisters, and later, In Living Color. I guess there was a lot of gender exaggeration, southern-ness exaggeration, just exaggeration to the point of absurdity in my childhood.  To read the rest of the interview, go here.

Phillip Lopate on Film Adaptations

We’re thrilled to have Phillip Lopate on our line up for our November 12th reading at Shrine.  Check out his article in this summer’s Bookforum: “Adapt This.”  The essay reinvigorates the conversation about the notorious difficulty of turning novels into films.  He offers a list of artful, worthy, even “sublime” film adaptations, and examines the approaches successful (and unsuccessful) directors or screenwriters have taken to their source material—Hyper-Naturalism, Avant-Garde Stylization, and intentional Infidelity.  Most illuminating for us is his objection to the argument that “films can’t think”—they can show us many things, but they can’t “depict consciousness” or render metaphor on the screen.  He asserts, instead, “when I am in thrall to a sublime film masterpiece, such as Ophuls’ The Earrings of Mme de or Mizoguchi’s Ugetsu (both, by the way, literary adaptations), I experience it as a continuous flow of consciousness—observant, melancholy, detached, worldly, commenting…thought.” And as a bonus: we have a new “Must Watch” list.

FPP Harlem: Season Premiere!

FPP Harlem’s second season got off to a provocative start.  Paul La Farge began the night with a story that takes on, among other things, the dangers of self-delusion.  Lynne Tillman opened with a formidable “We,” reading the first lines of the Constitution. She then dug into her own American Genius: A Comedy reading passages that question the usefulness of history and its bearing on the present.  Wrapping up the night, LoVid performed two sound pieces, both very much in the first person plural—the first an intense improvisation between partners Tali Hinkis and Kyle Lapidus, the second a piece incorporating their unborn child through a fetal heart-rate monitor.  Thanks to our readers/performers, and thanks to our game, enthusiastic audience!  Our next reading will be on November 12th at Shrine—check back for our exciting lineup!

Critics’ Pick: The First Person Plural Harlem Reading Series!

We’re very happy to be a TimeOutNY “Critics’ Pick” for this Monday’s reading.  Join us at Shrine this September 10, 7pm to hear Paul La Farge, Lynne Tillman, and art duo LoVid read and perform new work.  If you’re not already familiar with their innovative work, you might want to browse the following links.  You can find Paul La Farge’s Luminous Airplanes here.  It’s a rich, funny, and searching hypertext (and print book!) about the disconnect between human knowledge and human action, and it’s a pleasure to explore online.   Lynne Tillman’s work is being published and reprinted by the exciting new press Red Lemonade.  You can view her catalogue and a fabulous cache of her short prose here.  LoVid recently led a walking tour in Harlem involving dancers, local history, video, and iPhones; you can see more of that project here and the extraordinary breadth of their work here.